One of the most exciting developments for TV writers is the evolution of the professional showrunner, a position that gives writers more control over the creative vision, be it their own original series, or that of a fellow writer. IAWG member guilds have responded in a variety of ways to ensure their writers are trained to take on the additional roles involved, recognized by their peers, and aspects of their work included in collective agreements, where applicable.
In 2006, the WGA W launched its Showrunner Training Program to help senior writer-producers hone their skills. Typical sessions focus on topics around the transition from writer to manager, including managing other writers and the script process, directors, executives and actors. Participants receive training in budget/scheduling, the pilot process, and tips on dealing with network and studio script notes. The Showrunner Training Program Legacy Series videos interview some of the most successful and effective showrunners working in the business, as they discuss what it takes to do the job thoughtfully and well.
The WGC developed its Showrunner Code to establish a standard set of terms for members and their agents to negotiate. It sets out the ideal conditions under which the showrunner is best positioned to ensure he or she can realize their vision and deliver the highest quality show.
As an acknowledgement of their vital creative role, in 2007, the WGC added the showrunner category to its roster of awards. It also regularly engages showrunners in its Writers Talking TV speakers series, podcasts of which are available here.
The WGGB recently published Showrunning in the UK: A Best Practice Guide which is available through registration on the resources page of their website.